fahrrad de sattel Ergon SR Pro Sattel Damen schwarz
SKU: 83915942326
fahrrad de sattel

fahrrad de sattel Ergon SR Pro Sattel Damen schwarz

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Description

fahrrad de sattel Ergon SR Pro Sattel Damen schwarzDer Rennradsattel von Frauen fr Frauen Lupenreiner Rennradsattel fr Frauen: Der SR Pro Women ist flach, aber dennoch komfortabel gepolstert. Formgebung und Entlastung passen genau zur weiblichen Anatomie. OrthoCell Inlays im Genital und Sitzbereich sorgen fr beste Druckverteilung und hchste Rckstellkraft maximale Power garantiert. Gleitflanken reduzieren die Reibung beim Pedalieren. Von Grund auf neu Die Ergon Entwicklerinnen sind das Thema Damen

Der Rennradsattel von Frauen für Frauen
Lupenreiner Rennradsattel für Frauen: Der SR Pro Women ist flach, aber dennoch komfortabel gepolstert. Formgebung und Entlastung passen genau zur weiblichen Anatomie. OrthoCell-Inlays im Genital- und Sitzbereich sorgen für beste Druckverteilung und höchste Rückstellkraft – maximale Power garantiert. Gleitflanken reduzieren die Reibung beim Pedalieren.

Von Grund auf neu
Die Ergon-Entwicklerinnen sind das Thema Damen-Rennradsattel komplett neu angegangen. Nach intensiver Grundlagenforschung mit Röntgen- und CT-Analysen haben sie eine neue Sattelgeneration geschaffen. Unzählige Prototypen wurden intensiv von Profis und Hobbyfahrerinnen getestet, ihr Feedback detailliert umgesetzt.

Das flexible Becken
Frauen sind im Becken deutlich beweglicher als Männer. In der fürs Rennrad typischen Sitzposition kippt deshalb das Becken häufig stärker nach vorn. So entsteht oftmals erheblicher Druck im Genitalbereich. Dieser Druck wird beim SM Women durch die weit vorn liegende Entlastungsöffnung und die breiten, V-förmigen Sattelflanken zuverlässig auf die knöchernen Strukturen des Sitzbereichs gelenkt.

Die tiefe Schambeinfuge
Anatomisch bedingt liegt bei Frauen die Schambeinfuge (vordere Knorpelverbindung der beiden Beckenhälften) etwa um ein Viertel tiefer als bei Männern. Außerdem ist der Winkel der Schambeine zueinander größer. Auch dies hat Ergon beim SM Women berücksichtigt, um Beschwerden in den sensiblen Bereichen zu verhindern.

Der sensible Genitalbereich
Aufgrund der Besonderheiten ihres Beckens leiden Frauen auf herkömmlichen Sätteln häufig unter Beschwerden an den Genitalien. Der SR Sport Gel Women nimmt ihnen den Druck von den sensiblen Zonen: Der anatomisch ideal platzierte Entlastungskanal mit seiner Öffnung verhindert Taubheitsgefühle und Schmerzen. So wird der Sitzdruck dahin geleitet, wo er hingehört – zu den Sitzknochen.

Die richtige Größe
Formgebung und Größe der Sitzfläche eines Sattels muss zum Sitzknochenabstand des Fahrers passen. Da die Beckenknochen V-förmig nach vorne zulaufen, muss der Sattel bei unterschiedlichen Sitzpositionen in der Lage sein den Sitzknochen eine ausreichend große Auflagefläche zu bieten. Die Sattelbreiten sind so gewählt, dass die nutzbare Sitzfläche jeweils dem Sitzknochenabstand entspricht. Je vorgebeugter ein Fahrer sitzt, desto weiter vorne berühren die Sitzknochen den Sattel.

Weniger Reibung am Sattel
Für eine zusätzliche Extraportion Komfort haben wir den Pro-Modellen unseres SR Women spezielle Gleitflanken spendiert. Sie reduzieren die Reibung der Oberschenkel am Sattel, wenn du in die Pedale trittst.

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SKU: 83915942326

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4.0 ★★★★★
Based on 2276 reviews
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Product Reviews
M
Verified Purchase
Martin M. Bodek
Battle Creek, US
★★★★★ 1
A Total Sham-dy
What in the hell was this lunatic yammering about for all those 650 pages? What is the deal with his obession with noses, penises, and hobby-horses, hobby-horses, hobby-horses? Why does anyone consider it amusing when a writer keeps telling you he's going to get somewhere, but never does? Why is it entertaining at all to have blank chapters? Why is that cute? Why is that interesting? Who finds this funny? Who finds anything funny here at all? Why does this book of endless, mindless prattle, blabber, and piffle tickle anyone at all? Who finds digression to be enjoyable in literature? You? Why? Why? Tell me! I checked the ratings on Goodreads. This is what it showed: 5 stars: 33%, 4901 4 stars: 28%, 4064 3 stars: 22%, 3268 2 stars: 9%, 1414 1 star: 5%, 848 Meaning: 95% of these readers are flock-following, digression-loving, hobby-horse riding loonies who have swallowed the Kool-aid. There is nothing here but vacuous thundergunk. Pure, putrid unenertaining garbage. If I would have laughed once - just once - during the reading of this book, I would have given it a whole extra star, but it couldn't even do that. I give him one star for spelling Tristram's name right, and even then, it's a made-up name anyway, so I may have been hoodwinked as well.
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Reviewed in the United States on September 19, 2016
M
Verified Purchase
Michael Harold
Cuba, US
★★★★★ 5
Laurence Stern is still one of the most creative writers ever
This review is not about the words and images inside the book. This is about the fact that, when I removed the book from its packaging, the book's cover had too many creases and bends in it, both front and back, for my taste. Although I do think that Laurence Sterne might have smiled at my response, I don't think the creases were a type of samizdat (think Alexander Solzhenitsyn) added by a disgruntled/creative employee at Amazon. If this doesn't make any sense to you, or seems to be a silly mountain out of a molehill compliant, you will love the book.
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Reviewed in the United States on February 21, 2025
J
Verified Purchase
J. Edgar
Port Orchard, US
★★★★★ 5
A Few Thoughts on Tristram Shandy by Laurence Sterne
Shandy is an amazing book. More than anything it made me think of a late 1990s vibe with Seinfeld and David Foster Wallace. I can imagine the discourse that must have grown up around it. It I about memory and storytelling but also about nothing but also childbirth and siege warfare. I’m glad I read it; it was worth it even if it took a while.
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Reviewed in the United States on May 14, 2023
P
Verified Purchase
Paul Frandano
Phoenix, US
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
R
Verified Purchase
Ritesh Laud
Whiting, US
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 31, 2005

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