philodendron congo imperialred Philodendron 'Congo Rojo' – Red-Stemmed Congo Hybrid
SKU: 45826480861
philodendron congo imperialred

philodendron congo imperialred Philodendron 'Congo Rojo' – Red-Stemmed Congo Hybrid

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Description

philodendron congo imperialred Philodendron 'Congo Rojo' – Red-Stemmed Congo HybridPhilodendron 'Congo Rojo' Bold Self Header with Burgundy Tinted Leaves Congo Rojo' Philodendron Leaf Color, Shape and Upright Growth Philodendron 'Congo Rojo' is a hybrid known for its deep green foliage tinged with red and its self heading, upright growth form. The broad, lance shaped leaves emerge in rich shades of copper, maroon, or deep red, then mature into a glossy dark green with subtle burgundy tones. Unlike climbing philodendrons, this one

Philodendron 'Congo Rojo' – Bold Self-Header with Burgundy-Tinted Leaves

Congo Rojo' Philodendron – Leaf Color, Shape and Upright Growth

Philodendron 'Congo Rojo' is a hybrid known for its deep green foliage tinged with red and its self-heading, upright growth form. The broad, lance-shaped leaves emerge in rich shades of copper, maroon, or deep red, then mature into a glossy dark green with subtle burgundy tones. Unlike climbing philodendrons, this one forms a dense, structured rosette from a central stem – compact, bold, and easy to manage.

The thick petioles and leathery leaves give it a sculptural look with very little maintenance. It’s a great plant for adding dramatic foliage without needing a pole or trailing space.

Physical traits and visual features

  • Leaf color: Reddish-bronze when new, maturing to glossy green with burgundy undersides
  • Leaf shape: Broad, spear-like with a smooth edge
  • Growth habit: Upright, self-heading – not a climber
  • Indoor size: Typically reaches 60 – 100 cm tall and wide
  • Texture: Thick, slightly leathery leaves with a waxy finish

Background and growth pattern

'Congo Rojo' is a man-made hybrid, bred for its deep color tones and compact structure. While its exact parentage isn’t disclosed by cultivators, it's part of the “Congo” series of philodendron hybrids selected for non-vining, clump-forming growth. It mimics traits of some Meconostigma types, with thick, almost trunk-like stems and large upright leaves. It does not climb and requires no support structure.

This plant is toxic to pets and humans if ingested due to calcium oxalate crystals – keep out of reach.

Philodendron 'Congo Rojo' care instructions

  • Light: Bright, indirect light maintains rich color; avoid harsh direct sun
  • Watering: Allow top 2 – 3 cm of soil to dry before watering
  • Humidity: Performs well in 50 – 70%; higher humidity supports new leaf expansion
  • Temperature: Keep between 18 – 28 °C and avoid cold drafts
  • Soil: Loose aroid mix with bark, perlite, and organic material
  • Repotting: Every 1 – 2 years as roots fill the container
  • Fertilising: Feed monthly during active growth with balanced liquid fertiliser
  • Propagation: Division or stem cuttings from mature basal growth
  • Hydroponics: Can adapt to semi-hydro setups with stable warmth and humidity
  • Pruning: Minimal – remove old or damaged leaves at base

Common issues and how to fix them

  • Leaf curling: Usually caused by low humidity or underwatering – adjust both
  • Yellowing leaves: Check for overwatering or poor drainage
  • Thrips or mites: Wipe leaves often and treat infestations early with neem oil
  • Rotting stems: Usually caused by soggy soil – improve substrate and airflow
  • Slow growth: Check for compacted roots or insufficient light

Extra tips for healthy long-term growth

Rotate the plant regularly for even growth and to prevent leaning. Clean the leaves with a soft, damp cloth to keep them glossy and free from dust. Use a heavy pot to stabilize the base – as the plant matures, the thick stems and broad leaves add weight. 'Congo Rojo' doesn't need a moss pole, and its structure stays compact, making it perfect for statement planters or modern interiors.

Etymology and cultivar information

Philodendron means “tree lover” in Greek, though 'Congo Rojo' doesn’t climb like many others in the genus. The name 'Rojo' refers to the reddish tones in the new foliage. This hybrid is part of a commercial breeding line developed for bold foliage, ease of care, and upright, space-saving form.

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SKU: 45826480861

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This volume is fascinating, because it does show the different stages of Wright's development as a poet and a writer (the prose sketches and descriptions of Italy are wonderful). The early poems are extremely capable but there is a sense in which they feel constrained by formal verse conventions, especially rhyme. This becomes evident when he writes in free verse and his voice becomes easier and more vernacular. Some of the poems like "Hook" and "To A Blossoming Pear Tree" are wonderful: 'An old man / Appeared to me once / In the unendurable snow./ He had singe of white beard on his face. / He paused on a strett on Minneapolis / And stroked my face. // Give it to me, he begged / I'll pay you anything. // I flinched. Both terrified, / We slunk away, / Each in his own way dodging / The cruel darts of the cold. " There are some late poems when he becomes almost incoherent, but the centre of the book is a whole series of poems as powerful and honest as this.
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Reviewed in the United States on March 21, 2011
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Jabbo&MsLove
Lexington, US
★★★★★ 5
Seek and you will find. (Poems that speak to you)
Format: Paperback
I was not familiar with his work but have become a fan. Of course, as is true of my review of most poets work, I find more of the author's poems that I don't get or can't appreciate than ones I do; however, I found enough which moved me or had some profound impact that I am keeping this collection close for re-reading.
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Reviewed in the United States on December 17, 2025
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Jerry Mcginley
Boise, US
★★★★★ 5
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Format: Paperback
James Wright is a terrific, though not well known, American poet of the 1950's and 60's. Along with Robert Bly and William Duffey, Wright helped to open a new page in modern poetry which encouraged writers to break from the restrictions of traditional British formats. Personal and reflective, the poems focus on nature and have a strong touch of influence from ancient Chinese poets. Though the collection is filled with great stuff, my favorite is "Northern Pike."
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Reviewed in the United States on October 10, 2010
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M. Swinney
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★★★★★ 4
Sublime Poetry Slightly Flawed by Format
Format: Paperback
I hate to give this work anything less than 5-stars, because at the moment (and probably most future moments) I revere James Wright's poetry. He makes blue collar blackened river Ohio come alive riven death with darkness and life. So this book is a must for poetry lovers. Where it distracts me is the attempts at completeness is a difficult editor's dilemma and one that doesn't serve the poet or the poet's reader well here. There are two James Wright's out there (this book presents three), as is true with most sublimated artist that pass through a learning phase before hitting on their voice, their style. James Wright started as a formalist (not my favored style) hailing structure and rhyme sometimes at the expense of meaning and language (disclaimer...one man's humble opinion belies a personal taste and no two taste buds seem the same). The book of course being a complete work, offers all of those poems of bandied prose. And then the editor offers a bridge or break of sorts in Wright's translated works of German and Spanish poets. Wright was a great poet in English, but the gift of gifted translation should have been left to the likes of W.S. Merwin, Anthony Kerrigan, Charles Tomlinson, and Stephen Mitchell for Neruda, Paz, and Rilke. So, Wright's "Above the River," really first breaks the surface on page 119 after his epiphany to all thing free form. It is then that his poetry sings darkly. I leave you with some of Wright's beautiful language (there's plenty to be had). Buy the book for the rest. In Fear of Harvests It has happened Before: nearby, The nostrils of slow horses Breathe evenly, And the brown bees drag their high garlands, Heavily, Toward hives of snow.
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Reviewed in the United States on September 30, 2003
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Jeffrey Tedford
Phoenix, US
★★★★★ 5
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Reviewed in the United States on June 11, 2013

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