boho dress green Wrap Boho Dress / Sage Green
SKU: 4501358298
boho dress green

boho dress green Wrap Boho Dress / Sage Green

$23.24 $25.82
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Size: 4
Size Recommendation How To Measure

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Ships within 48 hours · Estimated delivery Jun 30 - Jul 5

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Description

boho dress green Wrap Boho Dress / Sage GreenSage Green Boho Wrap Dress by Chintamani Alchemistry made of 100% raw cotton with 3 4 length sleeves, handmade fringe and side slits. Wrap around simple and classy design creates comfortable fit and complements tall and lean figure. Calm, genuine colors of this organic gypsy dress together with raw fabric structure are a perfect ensemble for nature meditation moments. Extremely comfortable handmade item created with attention to detail. Can be also

Sage Green Boho Wrap Dress by Chintamani Alchemistry made of 100% raw cotton with 3/4 length sleeves, handmade fringe and side slits. Wrap around simple and classy design creates comfortable fit and complements tall and lean figure. Calm, genuine colors of this organic gypsy dress together with raw fabric structure are a perfect ensemble for nature meditation moments. Extremely comfortable handmade item created with attention to detail. Can be also worn as a cardigan.

It is available in classic black, off white, dusty pink, light grey, sage green and red ochre color. 

Made in Love

▲ MATERIAL: ▼
Raw Hand Woven Cotton – is a natural soft eco friendly material. It is a perfect substitute for leather or synthetic alternatives. We are using for this clothing line 100% raw cotton made on small factories in Indonesia. Yes, we are aiming to be as conscious of preserving Nature resources, as possible.

Fringe – is handmade for every piece. It is traditional authentic handwork.

▲ SIZING: ▼
XS / US 0-2  / Bust 32-33" / 82-84 cm
S  /  US 4     / Bust 33-34" / 86-88 cm
M /  US 6-8 / Bust 35-36" / 90-92 cm
L  /  US 10   / Bust 37-38" / 94-96 cm
XL/ US 12-14 / Bust 38-39" / 98-100 cm
See detailed size chart in last photo.

XS size suits perfectly for 63 inch (160 cm) height,
S – 65 inch (165 cm),
M – 67 inch (170 cm),
L –  69 inch (175 cm),
XL – 70 inch (180 cm) and above.
Note: natural fabrics fit better when they are 1-2 cm loose.

▲ PRODUCTION: ▼
All Chintamani Items are made by small home factories in India and Indonesia. We care about every piece quality and intend to make our clothes special, reflecting authentic tribal vibes in a gentle classy way.

▲ CARE: ▼
We are washing fabrics twice during the production process, so that our customers will get pieces that will not change after home wash.
Wash all-natural fabrics by hand or in a washing machine on a cold gentle cycle, using ecological laundry products.
Please keep in mind that hot water makes natural fabrics shrink a bit and that all fabrics get much softer after washing.
 

___
Please feel free to contact us in case of any questions!

Light

Polina Chintamani

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 4501358298

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4.8 ★★★★★
Based on 865 reviews
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Misty Rose
Carnegie, US
★★★★★ 5
FYI These are worth it!
Color: Caviar PDRN, Color: Caviar PDRN
These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 24, 2026
M
Verified Purchase
Marcella
Chelsea, US
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 7, 2026
S
Verified Purchase
Sarah Pettingill
Phoenix, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 18, 2026
J
Verified Purchase
Jessica Martin
Belleville, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 4, 2026
Z
Verified Purchase
Zachary Bednar
Cuba, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 17, 2014

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